The A.V. Club Interview: Rob Delaney

Kyle Ryan: You tweeted a few months ago about a bad gig you had, that some comics you respected saw. You said it was still terrifying to you, even after time had passed. Some people don’t realize you can do this for a long time and still feel gutted after a bad show.

Rob Delaney: Yes. I did this show where the comics were asked to wear suits and ties, and one reason—it’s a smaller reason, but it’s a benefit I really enjoy—I do comedy is so I don’t have to wear a suit and tie. I hate wearing suits and ties. I viscerally hate dressing up, and I know some people who do that. I know some people prefer to do their comedy that way, and that is absolutely fine and fantastic. I enjoy comedians who do do that, but for me, I won’t wear that stuff.

I resented that I was asked to wear a suit and tie, so I started my set kind of pouty and feeling sorry for myself, and I’m only admitting that because it could probably be of use to another comedian—that was very wrong of me. I should relish any opportunity to perform and respect the fact that I was asked to do the show, that there were people who came to see it. So I started off my set from a sense of self-pity. If there’s a commandment for comedy, that has got to be at the top: “Don’t you dare.” As such, I got into a hole I had difficulty pulling myself out of. I don’t think the set was the nightmare I felt that it was afterward, but my mindset was unhealthy and not conducive to enjoying myself onstage, which you must if you’re going to deliver a show people like. My main yardstick for if the show went well is, “Did I enjoy myself?” As a steward of this audience, of any audience, you are showing the people what to do, and it should be having a good time.

Anyway, I remember T.J. Miller and Hannibal Buress were in the audience, guys I love, and I remember getting offstage and immediately realizing this was my fault, I sabotaged myself, because I had a little fit, because I didn’t wanna wear this little suitie-pie, and I’m actually glad it happened. I’m very glad it happened, because it made me re-evaluate how the audience is at least 51 percent of the equation. They are more important than, you, the performer, and they must be respected and loved. They don’t give a donkey shit if you’re wearing a suit and tie or if you’re fucking wearing Saran Wrap—make them laugh, you fucking idiot. So that was good for me. I’m glad I had a little ego flare-up, and that I was swiftly and effectively punished, and that I learned my lesson. That will become one of my more instructive stand-up experiences, actually.

The A.V. Club Interview: Rob Delaney / By Kyle Ryan / June 1, 2012

FADER: Interview: Hannibal Buress

Naomi Zeichner: When did you start doing standup?

Hannibal Buress: Almost nine years ago. At first I was doing it as an amateur and really trying to be a professional comedian. Now it’s my job and people pay me to do it, so I keep that in mind and approach it like that. I wasn’t super into comedy when I was young. My interest in comedy really happened right before I started. I guess when I was young I watched “The Cosby Show,” so Bill Cosby and Eddie Murphy and those guys. I wasn’t a big comedy fan as a kid; I didn’t really study it like that.

NZ: But people must have let you know you were funny—

HB: I think Seinfeld said this: “When you’re a kid, everybody’s funny.” Who had a friend that never said anything funny? I was funny with my friends and in class sometimes, but it wasn’t anything I decided to pursue until college. I saw that some people weren’t that good at it so I tried it.

NZ: And your move to New York worked out well.

HB: It’s going pretty well, I write at “30 Rock,” and I used to write at “Saturday Night Live.”

NZ: What’s the difference between the two?

HB: It’s two different formats, a sketch and a sitcom. I put a lot more work into the writing of a 30 minute show. SNL is written the week of the show with some pieces even being written on Friday, so it’s more of an against the clock type of thing, whereas at “30 Rock” you’re working on it for a while, and it’s rewritten and written.

FADER: Interview: Hannibal Buress / BY: NAOMI ZEICHNER